venus und mars

In this section. The god Apollo saw what they were about and told Vulcan. The crescent moon and the planets Venus (bottom) and Mars form a conjunction in the sky just after sunset on February 20, 2015. It is widely seen as representation of an ideal view of sensuous love. Lucian's ekphrasis or description mentions amoretti or putti playing with Alexander's armour during the ceremony, two carrying his lance and one who has crawled inside his breastplate. [42] This is the only recorded sale on the open market of one of Botticelli's large mythological paintings, the others having all reached the collection of the Medici Grand-Dukes of Florence by an early date, and then passed to the Uffizi. Mars‘ left foot is caught in the pink cloth. The youthful and voluptuous couple recline in a forest setting, surrounded by playful baby satyrs. The similarities include the two figures reclining, with Mars asleep and Venus awake, and a group of infant attendants who play with Mars' armour, in a setting of bushes opening to a landscape. How to play “Venus And Mars” Simplify. [11], The scene is set in a grove of myrtle, traditionally associated with Venus and marriage, or possibly laurel, associated with Lorenzo de' Medici (il Magnifico), or perhaps both plants. Venus and Mars.jpg 600 × 399; 41 KB. Find more prominent pieces of mythological painting at Wikiart.org – best visual art database. Released in 1975 as the follow-up to the successful Band on the Run. So, it only makes sense that there’s a certain spark when someone’s Venus shares the same sign as someone’s Mars. Sie wissen genau, wie sie ihr Gegenüber um den Finger wickeln können. Dabei verschmolzen die Staubpartikel … Ettlingers, 118–119, 164–168; Lightbown, 61–65; Hartt, 331; Bellingham, 359–362, Bellingham, 255; Legouix, 108; Davies, 100–101; Reitlinger, 99, 127, Reitlinger, Chapter 4 generally and specifically 99, 358, Botticelli's Venus and Mars 'high on drugs', "High Art: Were Botticelli's Venus And Mars Stoned? Venus, the goddess of love, looks over at her lover Mars. But whose marriage could this panel have commemorated? Venus und Mars, ISBN 3899971728, ISBN-13 9783899971729, Brand New, Free shipping in the US. Tracks 1 to 13 are the album "Venus And Mars" by WINGS – released 30 May 1975 in the UK on Apple/Parlophone PCTC 254 and in the USA on Capitol SMAS-11419. This painting was made as part of a group of four works that tell the story of the life of Florence’s patron saint, Zenobius; it is the first of the series. The Virgin Mary kneels, her hands clasped in prayer. Men Are from Mars, Women Are from Venus (1992) is a book written by American author and relationship counselor John Gray, after he had earned degrees in meditation and taken a correspondence course in psychology.The book states that most common relationship problems between men and women are a result of fundamental psychological differences between the … Venus, Mars und Amor. Botticelli also shows off his knowledge of ancient sculpture, so fashionable in Florence at the time. Venus here is more like a contemporary Florentine beauty, or perhaps even an image of the Virgin Mary, than a classical sculpture – and quite different from the naked goddess that Botticelli painted in his picture The Birth of Venus (Uffizi, Florence). NG 915). The Virgin Mary sits on a stepped bench in front of a bed of roses, the infant Christ resting on her lap. [6] All dates depend on analysis of the style, as the painting has not been convincingly tied to a specific date, such as a wedding. [13], This painting was bought in Florence by the English collector and dealer Alexander Barker between 1864 and 1869, and then bought by the National Gallery at the auction of Barker's collection at Christie's on 6–8 June 1874, for £1,050 (Lot 88). The painting probably dates to around 1500-05, and later belonged to Giorgio Vasari. She gazes into the distance ignoring the semi-naked – and snoring – god of war, Mars. With or without painting frame. Venus and Mars by Sandro Botticelli as fine art print. 1505. [12] There is a limited view of the meadow beyond, leading to a distant walled city. It is unlikely that any such affair took place; Giuliano's actual mistress, Fioretta Gorini, was well known (and their son became Pope Clement VII). Venus, Mars und Amor; Usage on es.wikipedia.org Marte (mitología) Simonetta Vespucci; Anexo:Colección de la National Gallery de Londres; Usuario:Swazmo/+Carrusel de imágenes; Pintura mitológica; Venus y Marte; Usage on es.wikibooks.org Usuario:Swazmo/+Carrusel de imágenes; Usage on es.wikisource.org Usuario:Swazmo/+Carrusel de imágenes; Usage on eu.wikipedia.org … The image file is 800 pixels on the longest side. By helping UG you make the world better ... and earn IQ Suggest correction. ", The Story of Nastagio Degli Onesti, part one, Venus and the Three Graces Presenting Gifts to a Young Woman, A Young Man Being Introduced to the Seven Liberal Arts, Madonna of the Rosegarden (Madonna del Roseto), Madonna of the Magnificat (Madonna del Magnificat), Madonna of the Pomegranate (Madonna della Melagrana), Madonna Adoring the Child with Five Angels, Virgin and Child with the Infant St. John the Baptist, The Virgin and Child with Three Angels (Madonna del Padiglione), Portrait of a Man with a Medal of Cosimo the Elder, Portrait of a Young Man holding a Medallion, https://en.wikipedia.org/w/index.php?title=Venus_and_Mars_(Botticelli)&oldid=993230526, Botticelli paintings in the National Gallery, London, Creative Commons Attribution-ShareAlike License. The goddess Venus is shown in her boudoir feeding her son Cupid, who clings to his mother’s arm while clutching at her drapery. Panels of this shape are known as spalliere after the Italian word spalla (’shoulder’). Auf DVD und Blu-Ray Until this moment, artists painted people either in profile view, so only half their face was visible, or by turning them three-quarters to face the viewer.Here, Botticelli paints the boy head on, mapping his wh... Saint Francis stands on a marble ledge against a golden background. They contrast in atmosphere and most other aspects, and Piero has included an infant Cupid, a wide landscape and some of the animals that he loved to paint. These include the couple as Adam and Eve. This item will ship to United States, but the seller has not specified shipping options. [5] Scholar Ronald Lightbown dates it to "probably around 1483", while art historians Leopold & Helen Ettlinger date the painting to "the latter half of the 1480s". ‘Venus and Mars’ was created in 1819 by Antonio Canova in Neoclassicism style. It might have had another function: women gazing upon beautiful male bodies were thought to be more likely to give birth to boys, essential for continuing the family line. Ronald Lightbown describes Mars as "Botticelli's most perfect male nude", though there are not really a large number of these; he was less interested in perfecting the anatomy of his figures than many of his Florentine contemporaries, but seems to have paid special attention to it here. The figures and animals in the outer circle face inwards to pay respect to the Christ Child, inviting the viewer to do the same. Her blonde hair, pale skin and red lips are a nod to the contemporary ideal of female beauty as represented in poetry. If she is supposed to refer to the new bride here, chastity was an essential virtue. The unfinished Nativity by Piero della Francesca was bought for £2,415, and a fresco Return of Ulysses by Pinturicchio for £2,152. [20] In Greek Neoplatonism, Harmony was the daughter of their union. The clear implication is that the couple have been making love, and the male habit of falling asleep after sex was a regular subject for ribald jokes in the context of weddings in Renaissance Italy. Norbert Giesow spricht im Talk am Sonntag den 15. "[31], In 2010, the plant held by the satyr in the bottom right corner of the painting was hypothetically identified as the fruit of Datura stramonium by the art historian David Bellingham. This picture was probably ordered to celebrate a marriage, and the unusual shape suggests it was a spalliera, a panel set into the wall of a room. The exact date of Venus and Mars is not known, but the National Gallery's dated the painting to "c. 1485" in 2017. [45] For Erwin Panofsky, the Piero is an "enchantingly primitivistic pastoral" where Botticelli's version is a "solemnly classicizing allegory". Perhaps Botticelli was inspired by this poem, which he may well have known. Images showing the Adoration of the Kings were particularly important in Florence, where the citizens celebrated Epiphany – the feast which commemorated the event – with costumed parades. We are temporarily closed. BEYOND MARS AND VENUS by John Gray Times have changed. Am Asus2 Red lights, green lights, strawberry wine, Em Em7 A good friend of mine follows the stars, A7sus4 A7 Venus and Mars are alright tonight. To avoid potential data charges from your carrier, we recommend making sure your device is … The ultimate source for Poliziano's poem is Lucretius I.32–34. You must agree to the Creative Commons terms and conditions to download this image. John Gray’s Wellness Solutions. 1621]; calls it a companion to the Fitzwilliam picture, and suggests that the two works were painted for the emperor in the late 1570s. The story is that the goddess Venus was married to Vulcan, god of the night and blacksmithing and an ugly and lame old man. »Venus and Mars« was painted by Sandro Botticelli around 1483. Art. GET MY COPY! When he heard that Venus had been unfaithful to him, he made a fine net of chains to catch her in the act. Botticelli has approached the story with a sense of humour, including lots of playful details intended to amuse his client. [8] It is the only one of these paintings not in the Uffizi in Florence; it has been in the National Gallery in London since 1874. [21] Other late classical sources regarded Cupid as a child of the union. Botticelli’s message here is clear: love has conquered war. [46], The NG has used "V&M" since at least Davies' catalogue; Lightbown, the Ettlingers and Dempsey use "M&V". This lavish public show was commemorated in the poem by Poliziano, the Medici court poet, known as the Stanze or la Giostra ("Verses" or "The Joust"),[39] giving a detailed account, including a description of Giuliano's banner with an image of Pallas Athene, which was painted by Botticelli. Dempsey's original suggestion was in his, Ettlingers, 141–144; Lightbown, 168; Bellingham, 365–366. Die Planetologen gehen davon aus, dass die vier inneren Gesteinsplaneten des Sonnensystems – Merkur, Venus, Erde und Mars – eine sehr ähnliche Entstehungsgeschichte hinter sich haben. [37], Wilhelm von Bode (d. 1929) first proposed the pair as the models in this painting; in his interpretation, Mars is tired after jousting, and Venus appears to him in a dream, as his prize. It has even been suggested that the woman may be modelled upon Simonetta Vespucci, a renowned beauty whom Botticelli painted – but she died in 1476. The infant Christ reaches up towards the Virgin Mary, oblivious of his visitors – the Three Kings on the left and the shepherds on the right. BFI Film Academy: opportunities for young creatives. If you look closely you can see bright red blood on Christ’s feet and his white loin cloth, where it has dripped from the wound in his s... Botticelli painted at least six scenes of the Adoration of the Kings. [38] Giuliano had chosen Simonetta as his "lady" in a famous joust in 1475, organized by his older brother Lorenzo de' Medici ("Lorenzo il Magnifico"), the effective ruler of Florence to celebrate a treaty with Venice and Milan. Works like this hung at shoulder height or above and were often part of the furnishing of the rooms of a newlywed couple within the groom’s family home. Venus and Mars National Gallery.jpg 7,689 × 3,073; 8.03 MB Venus and Mars National GalleryFXD.jpg 7,689 × 3,073; 4.4 MB Art and criticism - monographs and studies (1892) (14597919200).jpg 2,774 × 1,088; 440 KB [32] Others question how this plant, normally considered a native only of North America, might have reached Italy by the 1480s, and dismiss the idea. Venus Mars und Vulcanus Gyger Hinterglasbild .jpg 269 × 431; 76 KB Victor Wolfvoet II - Hercules and Minerva Expelling Mars.jpg 1,920 × 1,430; 2.13 MB Vulcan, Venus and Mars - Maarten van Heemskerck (1540).jpg 602 × 576; 92 KB Venus and Mars (or Mars and Venus) is a panel painting of about 1485 by the Italian Renaissance painter Sandro Botticelli. Caroline Campbell, The Jacob Rothschild Head of the Curatorial Department, discusses Italian Renaissance artist Sandro Botticelli's painting 'Venus and Mars', an intriguing mythological scene depicting Venus, the goddess of Love, and Mars, the god of... More paintings by Sandro Botticelli (Showing 6 of 14 works) It seems likely that Botticelli worked out the concept for the painting, with its learned allusions, with an advisor such as Poliziano, the Medici house poet and Renaissance Humanist scholar.[4]. The net was so delicate that the two beautiful gods did not know that they had been captured until it was too late. For example, if you have a Scorpio Venus and your dating a ScorpioMars, prepare for fireworks. While Mars is nude, Venus is covered. [19] The Venus here, unlike in the artist's Birth of Venus, is fully clothed, as she is in marital mode. However, the description, with Mars in Venus' lap, gazing up at her, is a poor fit to the painting. Their coat of arms included wasps, as their name means "little wasps" in Italian,[16] and the wasps' nest, in a hollow in the tree in the top right corner, is exactly in the place in the panel where the coat of arms of a patron was often painted. The braids of her hair are attached to her dress, forming a border that is secured with a jewel – making her dress impossible to remove. Experience optimal wellness through natural solutions and transform your health and well-being today! Elsa Dax. The couple's relationship could also be considered in terms of astrology, in which Mars is, according to Marsilio Ficino, "outstanding in strength among the planets, because he makes men stronger, but Venus masters him ...she seems to master Mars, but Mars never masters Venus". He is not woken by the sound of the conch shell, which one of the mischievous creatures blows into his ear. Fitzwilliam Museum, Cambridge 16.jpg 4,128 × 3,096; 4.4 MB. Fontana is best known as a portrait artist – and some of her large altarpieces are well known, too – but she also painted mythical scenes, such as this voluptuous depiction of Mars and Venus. Seller assumes all responsibility for this listing. Sandro Botticelli »Venus und Mars«, Florenz um 1483 »Du wirst schwer erraten, wer nach Dir als nächster heiraten will.Es ist Goethe, der in Böhmen ein Fräulein liebt. Shipping and handling. Please rate this tab × Venus And Mars – Paul McCartney. Download a low-resolution copy of this image for personal use. This despite Venus being the wife of Vulcan, making the relationship adulterous by normal human standards. Venus and Mars, a 2nd-century sculpture of Hadrian and Sabina as the deities; Venus and Mars, a 15th-century painting by Sandro Botticelli; Venus and Mars, a 16th-century painting by Paolo Veronese; Film. Directed by Susanne Zanke. Venus is victorious in this sexual encounter, while Mars is utterly lost in sleep. Venus and Mars (Wings album) (1975) "Venus and Mars/Rock … Venus & Mars (Venus & Mars): Komödie 1999 von Bernd Lunkewitz/Emmo Lempert mit Lynn Redgrave/Hella von Sinnen/Jens Neuhaus. The scroll he holds bears a Latin ins... Four Scenes from the Early Life of Saint Zenobius, The Virgin and Child with Saint John and an Angel, The Virgin and Child with Saint John and Two Angels, The Virgin and Child with Saint John the Baptist, Research, private study, or for internal circulation within an educational organisation (such as a school, college or university), Non-profit publications, personal websites, blogs, and social media. FREE WELLNESS GUIDE. [Outro] G A F D G A F D G A F D G D A. X. Venus und Mars ist ein Gemälde von Sandro Botticelli, das um 1485 entstand.Es befindet sich seit 1874 in der National Gallery in London (Inventar-Nr. He concludes that "The idea of love here invested in Venus seems to be revealed, not in a positive celebration of the spirit animating natural life shown in the Primavera and Birth of Venus but as an empty sensual fantasy that disarms and torments the slumbering spirit of a once virile martial valour. combine the right balance of nutrition, useful practices, and all natural … His expression is one of tenderness as he is quite literally disarmed, he has removed his helmet and his shield lies abandoned on the floor. The youthful and voluptuous couple recline in a forest setting, surrounded by playful baby satyrs. A fourth blows a small conch shell in his ear in an effort, so far unsuccessful, to wake him. Poliziano’s poem, written at around the same time this painting was made, mentions ‘little goat-footed satyrs’. Venus and Mars, a German film with Lynn Redgrave; Venus and Mars, a South Korean film; Music. 1486). It was thought that looking at an image of a beautiful man would help a woman to conceive a boy – the most desirable heir, because a boy would continue the family line and carry the family name. Mars, handsome, young, and clean-built, is irresistible to her, and they make passionate love in Vulcan's marriage bed. Botticelli has changed the cupids into satyrs, which might show his knowledge of a poem by the scholar and poet Angelo Poliziano, who was tutor to the Medici children. Sie bildeten sich aus dem Staub jener interstellaren Wolke, aus dem vor 4,6 Milliarden Jahren zunächst die Sonne und dann die Planeten entstanden. The Virgin Mary stands with her infant son, Christ, in the corner of a large but sparsely decorated room. See below for dating, Hartt, 331; Lightbown, 163–164; Davies, 99, For a complicated but inconclusive argument suggesting a date after about 1482, see Lightbown, 170, Ettlingers, 138, and pages on the other paintings, Ettlingers, 138; The Secret Life of Paintings, p.43, Richard Foater & Pamela Tudor-Craig; Davies, 101, Legouix, 108; Davies, 99–100; Lightbown, 164, 170, Davies, 100; Dempsey; Wind, Chapter V; Hartt, 331, quoted, Dempsey; Lightbown, 169–170 covers the same ground, reaching a different conclusion. Avery-Quash, Susanna, in Gordon, Dillian, National Gallery Catalogues (new series): Bellingham, David, "Aphrodite deconstructed: Botticelli's "Venus and Mars" in the National Gallery, London", in, This page was last edited on 9 December 2020, at 14:15. Help keep us free by making a donation today. The painting was probably intended to commemorate a wedding, set into panelling or a piece of furniture to adorn the bedroom of the bride and groom,[3] possibly as part of a set of works. [33] However, in 2017 the National Gallery website endorsed the identification as a "thorn apple". There is a lot of romantic chemistry between you two because the Venus is attracted to the Mars’ similar passion and sex drive, while Mars is attracted to the … [28] A Roman sarcophagus in the Vatican is carved with a similar Mars and Venus reclining, accompanied by putti. Stretched on canvas or printed as photo. Vulcan invited all the gods from Mount Olympus to come and laugh at the trapped lovers. Hendrick Goltzius (Dutch, 1558 - 1617) 41.6 × 31.3 cm (16 3/8 × 12 5/16 in.) [10] The lance and conch can be read as sexual symbols. Piero di Cosimo (1461/62-1522), Venus, Mars and Cupid, ca. Although today Botticelli is the most celebrated Florentine painter of second half of the 15th century, his reputation only reached this level in the late 19th century when his emphasis on line and contour chimed with the contemporary sensibility. The ancient painting probably adapted iconography associated with Venus and Mars to the historical Alexander and his bride. This contradiction hints at the context of the painting. Your Venus is in an Air sign and your Mars is in an Air sign. Venus Mars Trigon. The National Gallery bought 13 works at the sale, where the Director, Sir William Boxall, was accompanied by Benjamin Disraeli, then Chancellor of the Exchequer, who was keen to buy. Simonetta Vespucci has been suggested as the model or inspiration for a great number of Botticelli's beauties, whose features by no means all have a close resemblance to each other. [7] It likely comes a few years after the Primavera and Pallas and the Centaur (both about 1482) and around the time of The Birth of Venus (c. Es wird angenommen, dass Botticelli Venus und Mars einige Jahre nach Primavera um die Zeit von Die Geburt der Venus malte.Auch wenn das genaue Entstehungsdatum unbekannt ist, wird es von der National Gallery, dem heutigen Ausstellungsort des Gemäldes, um 1485 angegeben. The shell was a symbol of Venus, who was born from the sea, which is just about visible in the distance. Venus and Mars Surprised by Vulcan. We produce your artwork exactly like you wish. The Florentine Botticelli was an important figure of the early Italian Renaissance. As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. "[25], One dissenting interpretation is from Charles Dempsey, who finds a more sinister meaning in the picture, with the little satyrs as incubi who torment sleepers, provoking "sexual terrors in the dreams of those bound in a state of sensual error and confusion." GET MY COPY! Renaissance means rebirth, in this case of antiquity. They also had to be appropriate for the space, which is why Venus is covered up. [43], The price reached in 1874 is one of the examples used by Gerald Reitlinger to demonstrate the difference in the mid-Victorian period between the very high prices realized by contemporary art, and the modest ones for Old Masters; a disparity just as marked in the early 21st century. Man is once again placed at the centre of artistic creation. 235–36, 238, 243–44, fig. Portraits like this – of idealised women, seen in profile – were popular in fifteenth-century Florence. Venus (/ ˈ v iː n ə s /, Classical Latin: / ˈ w ɛ n ʊ s /; genitive Veneris / ˈ w ɛ n ɛ r ɪ s /) is a Roman goddess, whose functions encompassed love, beauty, desire, sex, fertility, prosperity and victory. Poliziano was one of the humanist scholars in the court of Lorenzo de' Medici, and his stanze recount Giuliano di Piero de' Medici's prowess in a jousting tournament. ‘Venus and Mars’ was created in c.1720 by Giambattista Pittoni in Rococo style. The Virgin Mary sits in the corner of a simple room, the Christ Child on her lap. [29], The position of the main figures reflects the description of them by Lucretius in de rerum natura ("The Nature of Things"):[30] "though Mars the War Lord rules war’s savage works, yet often he throws himself into your arms, faint with love’s deathless wound, and there, with arching neck bent back, looks up and sighs, and feeds a lustful eye on you and, pillowed, dangles his life’s breath from your lips. Mars and Venus with Cupid is a 1663 oil on canvas painting by Luca Giordano, now in the National Museum of Capodimonte in Naples.. Mars and Venus. It’s perhaps unsurprising, then, that an ancient account which matches the imagery of the playful satyrs in this picture exists. Die Tafel gehört zu den bedeutendsten Zeugnissen für den künstlerischen Wandel in der Florentiner Malerei des fortgeschrittenen 15. He is balanced on a small table, the only piece of furniture, but is dangerously close to its edge; a closed book further restricts the space available to him. Whoever the picture was painted for, they were certainly wealthy and keen to show off their taste and education. Mars is so deeply asleep that he is unaware that four childish satyrs are playing with his armour: one has stolen his lance and helmet, which covers his whole face; another has wriggled into the cuirass (body armour) under his elbow. The usual view of scholars is that the painting was commissioned to celebrate a marriage, and is a relatively uncomplicated representation of sensual pleasure, with an added meaning of love conquering or outlasting war. He doesn‘t even notice the chubby satyr (half child, half goat) blowing a conch shell in his ear. Charme und Liebenswürdigkeit bringt das Venus Mars Trigon mit sich. The sixteenth-century writer and painter Giorgio Vasari notes that the Vespucci palace in Florence was decorated with paintings inset into the walls, but this was at a later date. With or without painting frame. [23] As with the other mythologies, Ernst Gombrich and Edgar Wind were the first to analyse the painting in these terms. In 1873, it appears that The Otter Hunt by Edwin Landseer, who died that year, was sold privately for £10,000. These panels were ordered to decorate the semi-public reception room known as a camera (a sort of bedchamber). He was the first god they say to see the adulteries of Venus and Mars: he sees all things first. Cupid’s own bow and arrows also lie on the ground. … Venus and Mars is the fourth studio album by Wings. [2] It shows the Roman gods Venus, goddess of love, and Mars, god of war, in an allegory of beauty and valour. With Jo Bolling, Philipp Brammer, Anna Sophia Claus, Susanne Evers. In that picture little cupids (symbols of love) play with the warrior Alexander’s armour, two lifting his spear and another creeping into his breastplate. The picture’s function is also hinted at by the myrtle bush behind Venus – it was a traditional symbol of marriage. Ihre erotische Ausstrahlung unterstützt ihr leidenschaftliches und magnetisierendes Auftreten. Listen to music by Venus und Mars on Apple Music. Botticelli was well known for the mythological paintings he made for his most grand patrons, the Medici, the ruling family of Florence. [36], As with many other of Botticelli's secular paintings, leading figures from Florentine high society have been proposed as the models for the figures. Julius Caesar claimed her as his ancestor. Venus and Mars (or Mars and Venus) is a panel painting of about 1485 by the Italian Renaissance painter Sandro Botticelli. Vulcan’s heart dropped, and he … [13] Another explanation, first suggested by Ernst Gombrich,[14] is that the wasps represent the Vespucci family that may have commissioned the painting. Giuliano di Piero de' Medici has been proposed as the athletic model for Mars and, almost inevitably, it has been suggested that Venus has the face of Simonetta Vespucci, a great beauty of the time, married to the cousin of Amerigo Vespucci. Mars' state of undress can be explained in this context too: the camera was where the couple would meet to sleep together in the hope of producing an heir. As mentioned above, Venus and Mars are pretty big players when it comes to love and relationships. Venus was in fact married to the god Vulcan, an unattractive blacksmith. The outlines of the figures in the painting are very approximate to the layout of the scene and the same is compressed and not perfectly … Our relationships desperately need new skills to match. ‘Venus Und Mars’ was created by Palma il Giovane in Mannerism (Late Renaissance) style. Venus watches Mars sleep while two infant satyrs play,[9] carrying his helmet (a sallet) and lance as another rests inside his breastplate under his arm. This image is licensed for non-commercial use under a Creative Commons agreement. Commissioned to celebrate a marriage, spalliere were some of many images – including religious works – that would have hung in the camera, the bedchamber. This is the second panel in a series of four paintings that tell the story of Florence’s patron saint, Zenobius. She stands underneath an open curtain, holding her infant son as if to prevent him from falling from the narrow ledge in the foreground. [44], Though there are other paintings of Venus and Mars, Botticelli's work is often compared and contrasted with the Venus, Mars and Cupid by Piero di Cosimo (Gemäldegalerie, Berlin, c. 1505), a younger Florentine painter who had probably seen the Botticelli.

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Geschrieben am Februar 20th, 2021