umm kulthum beerdigung

[14] She also maintained a tightly managed public image, which undoubtedly added to her allure. [26] As Umm Kulthum's vocal abilities had regressed considerably by then, the song can be viewed as the last example of genuine Arabic music at a time when even Umm Kulthum had started to compromise by singing Western-influenced pieces composed by her old rival Mohammed Abdel Wahab. When Nasser discovered that her songs were banned from being aired on the radio, he reportedly said something to the effect of "What are they, crazy? Auf der Nilinsel Roda im Herzen Kairos rief das Kulturministerium 1998 das Umm Kulthum Museum ins Leben, welches die musikalische Arbeit sowie einige persönliche Gegenstände der Sängerin ausstellt. Umm Kulthum (* zwischen 1898 und 1910, vermutlich am 4.Mai 1904 in Tammai az-Zahaira; † 3. Section 4: Umar’s Marriage to Umm Kulthum in Shiite Narrations1. She is considered to be the most authentic producer of Egyptian and Arab music, recording some three hundred songs and creating a style and form that embodied the country’s musical tradition. She wore traditional men’s clothing, including a loose ankle length tunic and a long scarf on her head with a cord tied around her forehead (59). [13] By 1923 she struck a contract with Odeon records which by 1926 would pay her more than any other Egyptian musical artist per record.[14]. Umm Kulthum war die erste arabische Sängerin, die öffentlich auftrat. The Golden Age of Umm Kulthum spanned the 1940’s. [citation needed], Following the revolution, the Egyptian musicians guild of which she became a member (and eventually president) rejected her because she had sung for the then-deposed King Farouk of Egypt. Während ihrer mehr als fünfzig Jahre langen Karriere wurde sie, auch durch ihr politisches Engagement, zu einer nationalen Ikone. In that year, she signed a contract with Gramophone Records who paid her an annual salary in addition to royalties for each disc sold. She was invited on several occasions to the house of Amin Beh Al Mahdy, who taught her to play the oud, a type of lute. Some sources claim that she was born either on 31 December 1898; 31 December 1904; or 4 May 1904. University of Chicago Press. Februar 1975 in Kairo; arabisch ‏ أمّ كلثوم ‎, DMG ʾUmm Kulṯūm, Ägyptisch-Arabisch ʾUmm Kalsūm, Alternativschreibweisen unter anderem Oum Kalsoum und Umm Kultum; eigentlich ʾUmm Kulṯūm Fātima ʾIbrāhīm as-Sayyid al-Baltaǧī) war eine ägyptische Sängerin und Musikerin. Bei ihrer Beerdigung versammelten sich mehr als vier Millionen Ägypter um den Sarg ihrer Ikone. She set the stage for Arab musicians who gained recognition after her. Film. Bob Dylan has been quoted praising her[39][40] Maria Callas,[41] Marie Laforêt,[42] Bono,[42] Robert Plant,[43] and among many others are also known to be admirers of Umm Kulthum's music. Her repertoire still included songs of village holiday celebrations and Quranic melodies, mixed with more modern love songs and poetry. She admits, “My childhood was not different from that of many children of my country”. The mourners would also forced the procession to change its direction and brought her coffin to the prominent Al Azhar mosque. Videos. Umm Kulthum even attended Rawheya's daughter's wedding, although she normally preferred to avoid appearing in public (offstage). Sources. Both poets and composers, such as Mohammad Abdel Wahab, vied to have their works included. [22] Umm Kulthum's monthly concerts were renowned for their ability to clear the streets of some of the world's most populous cities as people rushed home to tune in.[23][22]. Liturgical poet-musician Moshe Habusha, Rabbi Ovadia Yosef's cantor, says Israel's European-dominated culture has much to learn from the late great Arab singers. It was during this time that she released her most celebrated films, Sallama and Fatma. Youssou N'Dour, a fan of hers since childhood, recorded his 2004 album Egypt with an Egyptian orchestra in homage to her legacy. She held a diplomatic passport and sent her earnings back to the Egyptian treasury (186). Uske naam ke aur spelling: Om Koultoum, Om Kalthoum, Oumme Kalsoum, aur Umm Kolthoum.Turkish me uske naam Ümmü Gülsüm rahaa. [4] Umm Kulthum was known for her vocal ability and unique style. [11] Her concerts used to broadcast from Thursday 9.30 P.M., until the early morning hours on Friday. [4] Until 1972, for about half a century she gave at least one monthly concert. Umm Kulthum: Persönlichkeit und Faszination der ägyptischen Sängerin von Stefanie Gsell. In the 1930’s cinema became the hottest craze in media and Umm Kulthum keenly left her mark there. She was referred to as the Lady by Charles de Gaulle and is regarded as the "Incomparable Voice" by Maria Callas. [20][21], Umm Kulthum was also known for her continuous contributions to works supporting the Egyptian military efforts. The name itself means "the one with (literally, the mother of) the round face." In anticipation of her fall season, she announced that she would no longer be performing with her family members accompanying her. Umm Kulthum's musical directions in the 1940s and early 1950s and her mature performing style led this period to becoming popularly known as "the golden age" of Umm Kulthum. Mastering Her Craft Umm Kulthum died on 3 February 1975, aged 76, from kidney failure. This intense, highly personalized relationship was undoubtedly one of the reasons for Umm Kulthum's tremendous success as an artist. Learn more about Umm Kulthum… [49] A pearl necklace with 1'888 pearls, she received from Zayed bin Sultan Al Nahyan, is exhibited at the Louvre in Abu Dhabi. Oxford Music Online. In 1926, she left Odeon records for Gramophone records who would pay her about the double per record and even gave her an additional annual income of 10'000$. Other musicians who influenced her musical performances at the time where Dawwod Hosni or Abu al-Ila Muhammad [fr]. Murat Özyıldırım, Arap ve Turk Musikisinin 20. yy Birlikteligi, Bağlam Yay. From a very young age, Umm Kulthum toured with her father singing at weddings and various religious functions. During the 1930s her repertoire took the first of several specific stylistic directions. ", "Robert Plant: 'I feel so far away from heavy rock, "How Broadway's Tiny Musical Made Its Big Song", "Umm Kulthum returns virtually for Tantora show in Al-Ula", "Profile of Umm Kulthum and her music that aired on the May 11, 2008, broadcast of NPR's, "Oum Kalsoum exhibition at the Institute Du Monde Arabe, Paris, France", "Umm Kulthum lyrics and English translation", The Star of the East at Østfold College, Halden, Norway, https://en.wikipedia.org/w/index.php?title=Umm_Kulthum&oldid=1007698007, Wikipedia articles incorporating the Cite Grove template, Wikipedia articles incorporating the Cite Grove template without a link parameter, CS1 maint: bot: original URL status unknown, Articles with unsourced statements from October 2014, Wikipedia articles with CANTIC identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. It was not long before her fame spread locally and she toured the entire Delta performing for religious holidays and family milestones such as birthdays, naming ceremonies, and public festivals. In the 1950s and ‘60s, Umm Kulthum’s health declined; yet she continued with her demanding concert schedule. An improvisatory technique, which was typical of old classical Arabic singing, and which she executed for as long as she could have (both her regressing vocal abilities with age and the increased Westernization of Arabic music became an impediment to this art), was to repeat a single line or stance over and over, subtly altering the emotive emphasis and intensity and exploring one or various musical modal scales (maqām) each time to bring her audiences into a euphoric and ecstatic state known in Arabic as "tarab" طرب. Umm Kulthum (* zwischen 1898 und 1910, vermutlich am 4.Mai 1904 in Tammai az-Zahaira; † 3. Umm Kulthum also sang for composers Mohammad El Mougi, Sayed Mekawy, and Baligh Hamdi. She was legally married before August 610 to Utayba ibn Abi Lahab, but the marriage was never consummated. Umm Kulthum (Arabic: أم كلثوم‎) (c.603-630) is considered to be the third daughter of the Islamic prophet Muhammad by his first wife Khadijah bint Khuwaylid. Februar 1975 in Kairo; arabisch أمّ كلثوم, DMG ʾUmm Kulṯūm, Alternativschreibweisen unter anderem Oum bzw. Ihr Gesang löste so starke Emotionen aus, dass ihre Zuhörer/Innen zeitweise sogar ihre Sorgen vergaßen. She was one of the most famous Arab singers and public personalities of the 20th century. Abu Lahab rief seine Söhne ’Utba und ’Utaiba (der mit Umm Kulthum, einer anderen Tochter des Propheten sallallahu ’alaihi wassallam verheiratet war) und sagte zu ihnen: „Wenn ihr nicht den beiden Töchtern von Mohammed die Scheidung gebt, will ich eure Gesichter nicht mehr sehen.“ Sie schieden ihre Frauen. "[50] Hologram concerts with her have been organized also by the Egyptian Minister of Culture Inas Abde-Dayem in Cairo and the Dubai Opera. Umm Kulthum (arapski: أمّ كلثوم, trans. Her first song composed by Abdel Wahab, "Enta Omri" (You are my life"). With her rural background and traditional approach to music, she became known as “the Bedouin,” as her attire reflected her country origins. V. Yildirim), Istanbul Kasım 2013. Although she made several visits to Cairo in the early 1920s, she waited until 1923 before permanently moving there. Listeners sat attentive, minding every undulation in awe of the vocal control for which she was renowned. Chicago: Chicago University Press. Do you want Egypt to turn against us? Grove Music Online. In 1967, she performed for the first time outside the Arab world in Paris. Amin Al Mahdi introduced her to the cultural circles in Cairo, where she carefully avoided succumbing to the attractions of the bohemian lifestyle and, indeed, throughout her life, stressed her pride in her humble origins and upholding conservative values. [3] It is even reported that her funeral's attendance drew a greater audience than that of the late president at the time. Jeden ersten Donnerstag im Monat zog ihre Musik die Massen in allen arabischen Ländern in ihren Bann. [19], Some claim that Umm Kulthum's popularity helped Nasser's political agenda. Am gleichen Tag fand im Königspalast in Rabat, die traditionelle "Henna-Zeremonie", ... Beerdigung Ihrer verstorbenen Majestät Königin Fabiola von Belgien, die im alter von 86 Jahren starb. People were awestruck at the power of her voice,coming from someone so young. Februar 1975 in Kairo; arabisch ‏ أمّ كلثوم ‎, DMG ʾUmm Kulṯūm, Ägyptisch-Arabisch ʾUmm Kalsūm, Alternativschreibweisen unter anderem Oum Kalsoum und Umm Kultum; eigentlich ʾUmm Kulṯūm Fātima ʾIbrāhīm as-Sayyid al-Baltaǧī) war eine ägyptische Sängerin und Musikerin. [16] In 1932, her fame as a singer increased through sales of her records to the point where she embarked upon a major tour of the Middle East and North Africa, performing in prominent Arab capital cities such as Damascus, Baghdad, Beirut, Rabat, Tunis, and Tripoli. Umm Kulthum singt 'Risala', 'Botschaft'.204 Umm Kulthum tritt 1967 zum ersten Mal ausserhalb der arabischen Welt im OlympiaStadion in Paris auf. Once she began holding performances, she was seen as quite the novelty to the modern, wealthy Cairo audiences. The result of collaborations with Rami/Sonbati and al-Tunisi/Ahmad was a populist and popular repertoire that had lasting appeal for the Egyptian audience. These concerts became the highlight of Arab life, as they were broadcast live on the radio, stretching far beyond the coasts of Egypt. Not only was she a musician, but an ambassador of the Arab world as she represented herself and her country throughout her life. Mohammed die faszinierende lebensgeschichte des letzten propheten ()Jotiar Bamarni Der Autor möchte eine Brücke schlagen, indem er die Geschichte Muhammads einmal auf eine andere Art und Weise erzählt; nämlich auf spannende, verblüffend einfache und authentische Weise, sich dabei jedoch strikt an überlieferte Quellen hält. Stefanie Gsell: Umm Kulthum – Persönlichkeit und Faszination der ägyptischen Sängerin. Hz Umm Kulthum bint Muhammad (RA) was the third daughter of Prophet Muhammad (PBUH) and Hz Khadijah bint Khuwaylid (RA). From a young age, she showed exceptional singing talent. [11] At the age of 16, she was noticed by Mohamed Abo Al-Ela, a modestly famous singer, who taught her the old classical Arabic repertoire. Owen Jander, et al. It was to the extent that her father decided to return to the village they came from together with his family. This represented a dramatic departure from the modernist romantic songs of the 1930s, mainly led by Mohammad El-Qasabgi. Umm Kulthum: Artistic Agency and the Shaping of an Arab Legend, 1967–2007 von Laura Lohman “The Voice of Egypt”: Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century von Virginia Danielson. (* zwischen 1898 und 1910, vermutlich am 4. Umm Kulthum performs a song for King Farouk on the occasion of his birthday, February 11, 1937.. Umm Kulthum performs Amal Hayati (You are the Hope of My Life) as President Gamal Abdel Nasser enters the concert hall in Cairo. However, Awn died after only a short time. [17] From then on onwards, she performed at a concert on every first Thursday of a month for forty years. 1997 Chicago. On February 3, 1975 she died of heart failure as a nation held its breath at the passing of an icon (193). One of her songs associated with Nasser—"Wallāhi Zamān, Yā Silāḥī" ("It's Been a Long Time, O Weapon of Mine")—was adopted as the Egyptian national anthem from 1960 to 1979, when President Sadat revoked it because of the peace negotiations with Israel and replaced it by the less militant "Bilady, Bilady, Bilady", which continues to be Egypt's anthem today. Her songs deal mostly with the universal themes of love, longing and loss. The pivotal phase of Umm Kulthum’s career came in 1926. Through her father, she learned to recite the Qur'an, and she reportedly memorized the whole book. Mai 1904 in Tammai az-Zahaira; † 3. After Umar's death in 644, Umm Kulthum married her young cousin, Ja'far's son Awn, for a dower of 4,000 dirhams. Apex and Legacy Born to a poor Egyptian family in the Nile Delta, her exact birth date is uncofirmed. By 1975, Umm Kulthum’s health continued to decline, and the Egyptian newspapers wrote daily updates on her medical state. Am 24. She served as a cultural ambassador for Egyptians and Arabs alike. Among others, Jah Wobble has claimed her as a significant influence on his work. [48], She is referenced at length in the lyrics of the central ballad "Omar Sharif" in the musical The Band's Visit. Umm Kulthum sings with her father early 1910's. For the Record… Selected discography. [10] Her place of birth was the village of Tamay e-Zahayra, belonging to the city of Senbellawein, Dakahlia Governorate, in the Nile Delta. At the peak of her career, in 1950, Umm Kulthum sang Sonbati's composition of excerpts of what Ahmad Rami considered the accomplishment of his career: the translation from Persian into classical Arabic of Omar Khayyám's quatrains (Rubayyiat el Khayyam). He had to pass her off as a boy since girls could not publicly recite and sing Quranic verses. Her performances combined raw emotion and political rhetoric; she was greatly influential and spoke about politics through her music. [34], Her songs took on more a soul-searching quality in 1967, following the defeat of Egypt during the Six-Day War. It can elicit tears in the most hardened person. She sold over 80 million records worldwide, making her one of the best-selling Middle Eastern singers of all time,[5], She is considered a national icon in her native Egypt; she has been dubbed "The voice of Egypt"[6][7] and "Egypt's fourth pyramid".[8][9]. Following the foundation of the United Arab Emirates (UAE)in 1971, she staged several concerts upon invitation of its first president Zayed bin Sultan Al Nahyan to celebrate the event.[35]. She had earned herself the title, “the voice of Egypt” (138). Umm Kulthum Humus Bar, Haifa: See 40 unbiased reviews of Umm Kulthum Humus Bar, rated 4.5 of 5 on Tripadvisor and ranked #55 of 463 restaurants in Haifa. As she clinched economic security, she also began to define herself as a performer. She had received criticism for her makeshift family chorus. She thus transformed her identity by finding a group of the most talented musicians to comprise her takht. Dodijeljena joj je počasna titula Kawkab al-Sharq (كوكب الشرق, "zvijezda Istoka"). Simultaneously, Umm Kulthum started to rely heavily on a younger composer who joined her artistic team a few years earlier: Riad Al-Sunbati. She was born in the year 603 CE, and was a year younger than Hz Ruqayyah (RA). The size of her funeral surpassed even that of Gamal Abdel Nasser, the leader of the 1952 Egyptian Revolution (193). University Press, Chicago 1997, ISBN 0-226-13611-6. Housed in a pavilion on the grounds of Cairo's Manesterly Palace, the collection includes a range of Umm Kulthum's personal possessions, including her trademark sunglasses and scarves, along with photographs, recordings, and other archival material.[45]. She served as president of the Musicians’ Union, as a committee member on the government division of the arts, and as an Egyptian delegate to other Arab countries (28). Critics and journalists note that while she was known to have touched many different artists, she had also touched the lives of millions of her listeners and fans. Ihr Ruhm in der arabischen Welt ist mit dem von Maria Callas und der Beatles in der westlichen Welt vergleichbar. "[18] Later, Nasser would schedule his speeches so they would not interfere with the radio performances of Umm Kulthum. Mit Umm Kulthum geht man unter oder wird zum Helden – in diesem Fall zur Heldin, auch als Amerikanerin. This page was last edited on 19 February 2021, at 13:28. Umm Kulthum was born to a poor Egyptian family around 1904 (her exact birthday is unconfirmed) in the Nile Delta. A stencil of Umm Kulthum Umm Kulthum is considered one of the greatest Arab musicians who ever lived. Umm Kulthum (* zwischen 1898 und 1910, vermutlich am 4.Mai 1904 in Tammai az-Zahaira; † 3. These works illustrated current issues and values in Egyptian society, typically featuring unscrupulous rich antagonists who are brought to justice by the moral uprightness of common Egyptian people. [7], The spontaneous creativity of Umm Kulthum as a singer is most impressive when, upon listening to these many different renditions of the same song over a time span of five years (1954–1959), the listener is offered a totally unique and different experience. [27][28][29][30][31] Another source mentions the creation of a song of war. [11] Her influence kept growing and expanding beyond the artistic scene: the reigning royal family would request private concerts and even attend her public performances. Februar 1975 in Kairo; arabisch ‏ أمّ كلثوم ‎, DMG ʾUmm Kulṯūm, Ägyptisch-Arabisch ʾUmm Kalsūm, Alternativschreibweisen unter anderem Oum Kalsoum und Umm Kultum; eigentlich ʾUmm Kulṯūm Fātima ʾIbrāhīm as-Sayyid al-Baltaǧī) war eine ägyptische Sängerin und Musikerin. She worked extensively with texts by romance poet Ahmad Rami and composer Mohammad El-Qasabgi, whose songs incorporated European instruments such as the violoncello and double bass, as well as harmony. Noch ein halbes Jahrhundert nach ihrem „Goldenen Zeitalter“ in den 50er und 60er Jahren ist ihre Musik in der arabischen Welt weit verbreitet. Die Diva von Kairo, Oum Kalthoum. Among the army men trapped were the figures who were going to lead the bloodless revolution of 23 July 1952, prominently Gamal Abdel Nasser. All Rights Reserved © Al-Bustan Seeds of Culture. Labeled “indisputably the Arab world’s greatest singer” by World Music: The Rough Guide, Egyptian singer Umm Kalthum (alternately spelled Kulthum or Kalthoum) is regarded as a treasure of Middle Eastern culture. [37] Umm Kulthum's political rhetoric in her music is still influential today, not only in Egypt, but in many other Middle Eastern countries and even globally. Bei ihrer Beerdigung versammelten sich mehr als vier Millionen Ägypter um den Sarg ihrer Ikone. As we was mentioned while raising a question regarding Umm Kulthum‘s marriage to Umar ibn Khattab, the story is famous and well- known among Sunni Muslims and the narrations regarding this marriage have also been reported in the books authored by Shia scholars. In 1969 it was followed by another one "Asbaha al-Ana 'indi Bunduqiyyah" (I now have a rifle). "Hadeeth el Rouh" ("The Talk of The Soul"), which is a translation from the poet Mohammad Iqbal's "Shikwa", set up a very reflective tone. These immensely popular films celebrated the bonds of friendship between Egyptians, and extolled the value of personal virtue in the face of temptation (108). [24] During her career, she would act in five more movies, of which four would be directed by Ahmad Badrakhan[24] while Sallama and Fatma would be the most acclaimed.[25]. Singer. Umm Kulthum: The Voice of Egypt She had the musical chops of Ella Fitzgerald, the public persona of Eleanor Roosevelt, and the audience of Elvis Presley. . She was one of the last remaining national treasures that emerged … Hz Umm Kulthum (RA) was initially married to Utaybah, one of the sons of Abu Lahab. [46] Contralto singers are uncommon and sing in the lowest register of the female voice. Around 1965, Umm Kulthum started collaborating with composer Mohammed Abdel Wahab. As she and her takht put poetry to music, Umm Kulthum achieved the unimaginable; she brought fine literature to the masses, many of whom were illiterate. These performances are in some ways reminiscent of the structure of Western opera, consisting of long vocal passages linked by shorter orchestral interludes. 205 Danach hält sie Konzerte im Irak, in … An example of this is seen in her music performed after World War II. In 1946, Umm Kulthum defied all odds by presenting a religious poem in classical Arabic. For other uses, see, Egyptian singer, songwriter, and film actress, Danielson, Virginia (10 November 2008), p.64, Danielson, Virginia (10 November 2008), pp.54–55, Danielson, Virginia (10 November 2008), p.56, Danielson, Virginia (10 November 2008), pp.56–57, CS1 maint: bot: original URL status unknown (, Danielson, Virginia. [32] Laura Lohman[33] has identified several other warsongs created for her in that same period. Her songs were virtuosic, as befitted her newly trained and very capable voice, and romantic and modern in musical style, feeding the prevailing currents in Egyptian popular culture of the time. The song included quatrains that deal with both epicurianism and redemption. Her father was the head of a village mosque and her mother stayed at home raising Umm Kulthum and her two siblings. (Müzik Bilimleri Serisi, Edt. [11] For example, the available live performances (about 30) of Ya Zalemni, one of her most popular songs, varied in length from 45 to 90 minutes, depending on both her creative mood for improvisations, illustrating the dynamic relationship between the singer and the audience as they fed off each other's emotional energy.

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